Showing posts with label Buddhist Tantra. Show all posts
Showing posts with label Buddhist Tantra. Show all posts

The Generation Stage in Buddhist Tantra

The Generation Stage in Buddhist Tantra, by Gyatrul Rinpoche. To begin with, it is important to know that when you receive Dharma teachings, three types of motivation are possible. You might have a virtuous, positive intention, a negative intention, or a neutral intention that is neither positive nor negative, but merely dull and thoughtless. You must eliminate negative and neutral intentions, which is done by recognizing them.

You cannot do away with negativity until you recognize it, can you? Any kind of worldly intention is negative. All worldly intentions, such as hearing the teachings to obtain non-spiritual benefits, are considered negative. However negativities are expressed-through body, speech or mind-they should be eliminated.

All negativities are supported by the ten non-virtues. Of these ten non-virtues three relate to the body, four to speech, and three to the mind. The three that relate to the body are killing, stealing and adultery. The four corresponding to speech are lying, harsh speech, slander and gossip (idle words). The three of the mind are craving, ill will and incorrect view. If you don’t know how these non-virtues are accrued, you should study the teachings on cause and result.

A neutral intention is a state of dullness or lack of awareness which is devoid of positive intention. This is not necessarily a negative state, however. You just attend the teachings in a stupid state, following the way a dog follows its master, or perhaps the way that a small child follows its mother. With this attitude, you don’t really get anything out of what you are pursuing because you have no real intention or motivating force to begin with. Cultivating a positive motivation is a basic requirement to receive the teachings purely.

According to the Mahayana tradition of Buddhism, which is known as the greater spiritual pursuit, a positive motivation is the twofold intention to benefit oneself and others. This can also be expressed as having a single intention to cultivate the ten virtues, to perform all other virtuous deeds, and to achieve enlightenment, the level of ultimate realization, for the sake of benefiting oneself and others.

We call ourselves Mahayanists or practitioners of Mahayana Buddhism. Beyond that, we call ourselves dzogchen practitioners, or practitioners of atiyoga. Whatever we claim to be, whether Hinayanist, Mahayanist or dzogchen atiyoga practitioners, the main thing to remember is to develop and maintain the intention to hear and practice the teachings for the sake of oneself and all other beings.

Ngöndro, the preliminary practices that many of you perform on a daily basis, should not be thought of as mere "preliminaries." These practices begin with the Four Thoughts that Turn the Mind towards the spiritual path. These contemplations embody the essence of the Hinayana tradition of Buddhism, which is known as the lesser spiritual pursuit. The practices of refuge, bodhicitta, Vajrasattva, and mandala relate to Mahayana Buddhism, the greater pursuit, and the guruyoga practice relates to Vajrayana. All nine vehicles of Buddhism can be reduced to these three yanas, which are all practiced within the ngöndro. The ngöndro is a very profound practice that activates all three vehicles simultaneously. Because the three vehicles are all related, perhaps you can see the importance of contemplating the Four Thoughts and of cultivating compassion before you engage in Vajrayana techniques.

When Shakyamuni Buddha first gave teachings in this world of samsara, the very first thing he explained was that cyclic existence is a place of natural suffering. The realm of cyclic existence is by nature a place of suffering, turmoil and delusion. It is therefore essential that, before hearing the teachings and beginning any practice, you contemplate the Four Thoughts that Turn the Mind. Just as the Buddha chose to present these teachings before any others, similarly this is the first step in your own study of Dharma.

After considering the truth of suffering, proceed to cultivate an awareness that all other living creatures in the realms of samsara are in a state of delusion, just like yourself. All living creatures have, over the course of countless past lifetimes, been your own kind and loving parents, changing roles like players in a drama. All of these beings have brought you into the world at some time or another, and all of them, without exception, desire happiness and fulfillment. No one in this world of desire lacks the impulse toward happiness. They desire happiness; yet all the while, they create the causes for more suffering. What they desire and their actions of body, speech and mind are in direct opposition, but this irony remains unnoticed. In this way, like blind people, beings in samsara remain in bewilderment.


The Dalai Lamas on Tantra

The Dalai Lamas on Tantra, by Glenn H. Mullen. This is a unique collection of authentic teachings by the Dalai Lamas on Tantric Buddhism and tantric practice. The clarity and power of their tantric writings is unparalleled. Glenn H. Mullin is an internationally renowned Tibetologist, author, and expert on Buddhist meditation. Glenn lived in Dharamsala, India, the home of the Dalai Lama, for many years, where he studied Tibetan language, literature, yoga, and meditation under twenty-five of the greatest masters of Tibet. He is the author of over fifteen books on Buddhist topics and has led many pilgrimages to Nepal and Tibet in the last five years. He now divides his time between writing, lecturing, giving workshops, and leading pilgrimages to the power places of Central Asia.


The Lion's Roar: An Introduction to Tantra

The Lion's Roar: An Introduction to Tantra, by Chogyam Trungpa. This book is based on two historic seminars of the 1970s, in which Chögyam Trungpa introduced the tantric teachings of Tibetan Buddhism to his Western students for the first time. Each seminar bore the title "The Nine Yanas." Yana, a Sanskrit word meaning "vehicle," refers to a body of doctrine and practical instruction that enables students to advance spiritually on the path of Buddha-dharma. Nine vehicles, arranged in successive levels, make up the whole path of Buddhist practice. Teaching all nine means giving a total picture of the spiritual journey. The author's nontheoretical, experiential approach opens up a world of fundamental psychological insights and subtleties. He speaks directly to a contemporary Western audience, using earthly analogies that place the ancient teachings in the midst of ordinary life. Chögyam Trungpa (1940–1987) was a meditation master, teacher, and artist who founded Naropa University in Boulder, Colorado, and an international association of meditation centers known as Shambhala International. He is the author of numerous books.


Tantra Without Tears

Tantra Without Tears, by Christopher S. Hyatt and S. Jason Black. For the Western mind, this is the only Book on Tantra you will ever need. A bold statement? Perhaps. However, the idea behind this book is simple: It is power. It is Kundalini, dressed in Western clothes. It describes experiences and techniques which allow you to glimpse beyond ordinary day-to-day reality, into a world of marvels---and horrors.

This new volume of tantric instructions removes much of what is obscure and moralistic in tantra, and reveals it to be an ancient cross-cultural system of self-development. It examines in detail the marriage of magick and yoga, as well as the discipline of focusing all aspects of one's life on the goals of the tantric system. Tantra without Tears is an excellent introduction for those who wish to undertake practical work in the Hindu and Tibetan tantric traditions.


Why Lazarus Laughed: The Essential Doctrine, Zen--Advaita--Tantra

Why Lazarus Laughed: The Essential Doctrine, Zen--Advaita--Tantra, by Wei Wu Wei. This is the second book written by Wei Wu Wei in a collection of what are now considered spiritual classics in the area of Zen Buddhism, Advaita, and Taoism. Why Lazarus Laughed is a powerfully written book of aphorisms, meditations, and startling ruminations on the nature of time, consciousness, freedom, enlightenment, duality, and free will. Wei Wu Wei described his books as reflections of the moon in a puddle because he does not set himself apart from any other, does not profess to be a teacher, and does not claim to have the last word on spiritual truth. His modest assessment of how well he succeeds at his task would most certainly be disputed by his many enthusiastic readers: Essential understanding might have found its way into occasional pages. Indeeed, profound insight seems to leap from every sentence.

Play your part in the comedy, but don't identify yourself with your role! says Wei Wu Wei, and he follows his own advice. He writes his works anonymously and uses his iconoclastic humor to drive home his points. Those who discover his books feel they have found a secret teaching that brilliantly delivers the purest truth. He has become a sort of underground spiritual favorite whose fans anxiously await each reissued book.

As the subtitle states, Why Lazarus Laughed explicates the essential doctrine shared by the traditions of Zen Buddhism, Advaita, and Tantra. The author is not interested in these traditions as religions, but only in so much as they reflect the moon for us. To read this jewel of a book from the immortal Wei Wu Wei is to enter into the heart and mind of one who possessed a very clear insight into the essence of understanding.

The identity of Wei Wu Wei was not revealed at the time of the publication of his first book. But we now know a few background details that help put the writings into context. He was born in 1895 into a well-established Irish family, was raised on an estate outside Cambridge, England, and went to Oxford. Early in life, he pursued an interest in Egyptology. This was followed by a period of involvement in the arts in Britain in the 1920s and 1930s. Having exhausted his interest in this field, he turned to philosophy and metaphysics, traveling throughout Asia and spending time at the ashram of Sri Ramana Maharshi. In 1958, at the age of 63, he saw the first of the Wei Wu Wei titles published. Over the next 16 years, seven more were published, including his final work under the new pseudonym O.O.O. During most of this later period, he maintained a residence with his wife in Monaco. He is believed to have known, among others, Lama Anagarika Govinda, Dr. Hubert Benoit, John Blofeld, Douglas Harding, Arthur Osborne, and Dr. D. T. Suzuki. He died in 1986 at the age of 90.





The Roots of Tantra

The Roots of Tantra, by Katherine Anne Harper and Robert L. Brown. Among the many spiritual traditions born and developed in India, Tantra has been the most difficult to define. Almost everything about it-its major characteristics, its sources, its relationships to other religions, even its practices-are debated among scholars. In addition, Tantrism is not confined to any particular religion, but is a set of beliefs and practices that appears in a variety of religions, including Hinduism and Buddhism. This book explores one of the most controversial aspects of Tantra, its sources or roots, specifically in regard to Hinduism. The essays focus on the history and development of Tantra, the art history and archaeology of Tantra, the Vedas and Tantra, and texts and Tantra. Using various disciplinary and methodological approaches, from history to art history and religious studies to textual studies, scholars provide both broad overviews of the beginnings of Tantra and detailed analyses of specific texts, authors, art works, and rituals.

Katherine Anne Harper is Associate Professor of Art History at Loyola Marymount University and the author of The Iconography of the Saptamatrikas: Seven Hindu Goddesses of Spiritual Transformation. Robert L. Brown is Professor of Art History at the University of California, Los Angeles and the Curator of Southeast Asian Art at the Los Angeles County Museum of Art. He is the author of The Dvaravatiµ Wheels of the Law and the Indianization of South East Asia, and editor of Ganesh: Studies of an Asian God also published by SUNY Press, and Art From Thailand

A Guide to the Deities of the Tantra

A Guide to the Deities of the Tantra, by Vessantara. A Guide to the Deities of the Tantra is a fascinating insight into a subject that has captivated the imagination of many but remains mysterious and exotic to all but a few. Tantric deities? Who are they and what do they do?

This volume focuses on the deities whose mantra recitation and colorful visualizations lie at the heart of the Tantra. We meet goddesses of wisdom, the prince of purity, the lotus-born guru Padmasambhava, and dakinis— wild-haired women who dance in the flames of freedom. All, the peaceful and the wrathful alike, urge the reader to break through to wisdom, pointing out the true nature of reality with uncompromising vigor.

Devoid of pop culture misperceptions, this guide is a window into the sometimes mysterious world of Buddhist Tantra. Vessantara explores the key characteristics of the Tantra in this magical fusion of the practical and the imaginative—giving us a direct insight in into the poetry and the power of the Tantra.

A much-published and well-respected Buddhist author, meditator, and teacher, Vessantara is a senior member of the Western Buddhist Order. He holds a particular love for Tibetan Buddhism and is well-known as an effective storyteller. This is one of three volumes looking at Buddha figures in the Indo-Tibetan Buddhist tradition.


Yoga, Bhoga and Ardhanariswara: Individuality, Wellbeing and Gender in Tantra

Yoga, Bhoga and Ardhanariswara: Individuality, Wellbeing and Gender in Tantra, by Prem Saran. This book is a social–scientific interpretation of the 15 centuries-old Hindu and Buddhist traditions of tantra. It is a self-reflexive study, informed by an insider’s empathy and the apprehension of an Indologist-cum-anthropologist who is also a mystic and an initiated practitioner of the cult himself.

Using his personal praxis to inform his research, the author examines three core themes tantra: a ‘holonic’/mandalic individuality that conduces to the mystical experience; a positive valorisation of pleasure and play; and cultural attitudes of gender-mutuality and -complementarity as neatly encapsulated in the icon of Shiva as Ardhanariswara. This analysis —as captured by the tantric mandalas of deities in intimate union who vividly enact the three themes — leads to his compelling metathesis, that of tantra serving as a permanent counterculture within Indic civilisation.

This book should be of interest to those in anthropology, South Asian studies, religious studies, gender studies, psychology, and philosophy, as also the general reader.

Prem Saran is currently Commissioner of the Department of Science and Technology in the Assam State Government. He joined the IAS in 1978 and has since been working in the Assam cadre. Having taken initiation into a traditional tantric cult in 1981, he first obtained an MA in South Asian Studies from the University of Pennsylvania. He then completed another MA and a Ph.D. in Sociocultural Anthropology at the University of California at Santa Barbara. Dr. Saran’s first book Tantra: Hedonism in Indian Culture (1994) and is currently in its fourth reprint. He is also working on another book titled Indic Play Ethic.


The Kilaya Nirvana Tantra and the Vajra Wrath Tantra

The Kilaya Nirvana Tantra and the Vajra Wrath Tantra: Two Texts from the Ancient Tantra Collection, by Cathy Cantwell and Robert Mayer. The (rNying ma'i rgyud 'bum) contains many of the oldest examples of Tantric literature in Tibetan. It also contains many of the most important examples of Buddhist Tantric literature surviving in any language. Its contribution to Tibetan religion and culture over the last 1,200 years has been incalculable, and remains undiminished today. Yet, like most manuscript traditions of such great antiquity, centuries of accumulated scribal corruption have reduced them in a great many cases to near incomprehensibility, even for the most learned Tibetan lamas. The modern period has been a particularly challenging time for this great scriptural tradition, above all because the Chinese entry into Tibet led to the destruction of an estimated ninety-five percent of its extant witnesses. In this work, Cantwell and Mayer have begun the immense task of restoring these wonderful texts to their original form through textual criticism. The present scribal state of the texts, the surviving editions, and the various possible methods of restoring them through textual criticism are discussed. Editions of two important texts have been produced, which also consider features of the original compilation and their commentaries. This is intended to be a small contribution towards the eventual restoration of the entire tradition.